Pyro Industries API-1394PCI Manuel d'utilisateur télécharger pdf (Page 172)

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■ THE AUDIO TOOL

4. Select all tracks and mark in on the first frame after tone on the sequence side.

Make sure that you have no out point marked on the sequence side.

5. Splice in the filler. Everything in the sequence should have moved down another

30 seconds, and it remains in sync.

Now let’s talk about how you can create bars. To begin, you will need to import

a graphic file of SMPTE bars into a bin:

1. Click a bin of your choice, preferably the same bin where you created tone media.

2. Choose File > Import. Make sure that the File Type at the top of the menu is set

to Graphic Files. Be sure to set your import to the following options:

Option Set To

Aspect 601 non-square

Color levels 601

Field order Non-interlaced

Alpha Ignore (although there is no alpha channel,so you could skip this one)

3. Navigate to the Avid Free DV or Xpress Pro folder. Inside is a subfolder called

Supporting Files, which has a subfolder named Test Patterns. You will find a

SMPTE_Bars.pct file there. Select and import it. The navigational path is Free DV

or Xpress\Supporting Files\Test Patterns\SMPTE_Bars.pct. If you’re doing a

PAL project, go to the PAL folder and select

colorbars.pct; if you want 100%

brightness bars, select

colorbars_100pct.pct.

4. Import this .pct file into the bin by selecting it and choosing OK.

5. From there, you can load the color bars into the Source side and edit it in at the

beginning of the tone media. The length should be the same as the tone media:

one minute.

Figure 4.20 shows a Timeline of how I edit color bars into my sequences, with

the beginning timecode noted.

Figure 4.20 Bars and tone in

the Timeline

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Pyro Industries API-1394PCI Manuel d'utilisateur Page 172